“God Alone Knows”, Damien Hirst : A clever marriage of science and religion; an inventive use of preserved sheep carcasses in this instantly recognisable scene.
Contemporary art has always been somewhat of a hit and miss for me. When the contemporary man has neither time nor patience for frescoes or friezes, art can only seek to shock, intrigue, and scandalise; something to hold your attention just long enough till the next big thing comes along.
Could this be the natural evolution of art or merely symptomatic of our time?
Astrup Fearnley Museet
Strandpromenaden 2, 0252 Oslo, Norway